Showing posts with label scottish artist. Show all posts
Showing posts with label scottish artist. Show all posts

Saturday, 24 August 2013

The Glory of the Garden


( above; painting by contemporary artist George Birrel)

The Glory of the Garden


Today has been spent in the garden. There was no rain, some wind, and not too much heat, perfect for working in the garden. I began thinking about something many of us participated in back on Multiply. 

( above; tea in the garden by James Guthrie, Scottish artist)


Every Wednesday we posted a poem and the post was called (collectively) Poetry Wednesday. One poem that really took my fancy was this one By Kipling, I seem to remember posting it several times and every time I included paintings of gardens by different artists.  
( above, Bessie MacNicol, Scottish artist, 'a girl of the 60's') 


Anyhow…………..today I began thinking of it again, I can’t remember which paintings I originally posted with it but today I’ve chosen a couple of gardens buy different Scottish Artists.

( above; A Hinds daughter, James Githrie, Scottish artist 1859-1930) 


The Poem; The Glory of the garden by Rudyard Kipling




OUR country is a garden that is full of stately views,
Of borders, beds and shrubberies and lawns and avenues,
With statues on the terraces and peacocks strutting by;
But the Glory of the Garden lies in more than meets the eye.
For where the old thick laurels grow, along the thin red wall,
You'll find the tool- and potting-sheds which are the heart of all
The cold-frames and the hot-houses, the dung-pits and the tanks,
The rollers, carts, and drain-pipes, with the barrows and the planks.

( above cottage by Largo by George Lesley Hunter)

And there you'll see the gardeners, the men and 'prentice boys
Told off to do as they are bid and do it without noise ;
For, except when seeds are planted and we shout to scare the birds,
The Glory of the Garden abides not in the words.
And some can pot begonias and some can bud a rose,
And some are hardly fit to trust with anything that grows ;
But they can roll and trim the lawns and sift the sand and loam,
For the Glory of the Garden occupies  all who come.

(Above contemporary Scottish painter George Birrel) 

Our country is a garden, and such gardens are not made
By singing:-" Oh, how beautiful," and sitting in the shade
While better men than we go out and start their working lives
At grubbing weeds from gravel-paths with broken dinner-knives.
There's not a pair of legs so thin, there's not a head so thick,
There's not a hand so weak and white, nor yet a heart so sick
But it can find some needful job that's crying to be done,
For the Glory of the Garden glories every one.

Above; contemporary Scottish painter George Birrel)

Then seek your job with thankfulness and work till further orders,
If it's only netting strawberries or killing slugs on borders;
And when your back stops aching and your hands begin to harden,
You will find yourself a partner in the Glory of the Garden.
Oh yes, man  was born a gardener, and thankfully he sees
That half a proper gardener's work is done upon his knees,
So when your work is finished, you can wash your hands and play
And hopefully this Glory,  may never pass away!


 ( above George Lesley Hunter Scottish colourist) 


and finally; Sweet Blosson by Edward Atkinson Hornel


Sir James Guthrie (10 June 1859 – 6 September 1930) was a Scottish Painter best known in his own lifetime for his portraiture although today more generally regarded as a painter of Scottish Realism.

Tea in the Garden and A Hind's Daughter - Sir James Guthrie painted at Cockburnspath, East Berwickshire (1883)


Bessie MacNicol (1869 – 1907) was a important woman painter in Glasgow at the start of the 20th century. She was an artist respected by her contemporaries and exhibited in Scotland and London, in several European cities and at Pittsburg and St Louis in the USA.

A girl of the 60’s painted 1899
George Lesley Hunter

Hunter was born in Rothesay, a town on the west coast Scottish Isle of Bute, in 1877.

he died in a Glasgow nursing home in December 1931, aged just 54.

Cottage, near Largo by G.L.Hunter (c.1920)

Edward Atkinson Hornel (1864–1933) was a Scottish painter Artist 

Sweet blosson

 George BIRRELL

George Birrell was born in 1950. He trained at the Glasgow School of Art (1967 - 1971) and was involved with the Hospitalfield Summer School in 1970.

http://www.redraggallery.co.uk/print-george-birrell.asp




Ian Hamilton Finlay's Little Sparta: An Artist's Garden

Andrew Dickson visits Little Sparta, for 40 years the home and studio of Scottish artist Ian Hamilton Finlay, who was also a poet, writer and gardener. Richard Ingleby, co-owner of the Ingleby Gallery in Edinburgh, takes us on a tour of the garden in the Pentland Hills, which is filled with the artist's work. The exhibition Ian Hamilton Finlay: Twilight Remembers is at the Ingleby Gallery until 27 October 2012



Lesley Mclaren, Scottish artist.



( first posted on Blogger in April)

 This artist looked very familiar to me. I couldn’t remember if I posted her work before, and then I decided I liked it so much I’d post it any way even if I had posted on her before. Her subject matter is (as you know) close to my own heart, it’s The Scottish landscape in all its glory with the added bonus of little animals and birds dotted around.. I could happily hang any of these on my wall.





Following information from here





  
Scottish Art and Artists at Red Rag Gallery

Artist: Lesley McLAREN



Lesley McLaren was born in Glasgow in 1959. She attended Exeter College of Art achieving a BA(hons) in painting.




Inspiration for Lesley McLaren contemporary paintings comes from the Scottish countryside. Whilst travelling Lesley collects images in her sketch book and on camera. Back in the studio she seeks to recreate the essence and drama of beautiful Scottish countryside. 

The result is superb paintings reflecting memories and feelings, where Lesley has often allowed the more dramatic elements of a scene to develop through the language of paint. The finished painting is a little like the end of a little journey. She describes every painting as "the creation of an exciting new world - one which journeys on from reality" Her own web site isn here












Saturday, 2 March 2013

Midge Gourlay, Scottish artist.



http://www.portappinstudio.co.uk/artists/midge/biography

Please visit her website, there are many examples of her extraordinary work.

Midge Gourlay is a textile artist and teacher, trained at Glasgow School of Art and specialising in embroidered and woven textiles.

Her work is mainly inspired by West Highland land and seascapes and by regular visits to the Corbières region of southwest France. She uses techniques which include dyeing, fabric manipulation with machine embroidery, paint and handmade silk paper.
At the start of the twentieth century a group of young women worked and studied together in Glasgow. They specialized in needlecraft, embroidery, jewelry making, metal craft and design. Their work was intricate and decorative. These women became affectionately known as ‘The Glasgow Girls’, they were contemporaries of Charles Rennie Mackintosh and his friend and fellow architect/artist Herbert McNair. Two of the leading lights of this movement were sisters Margaret and Frances MacDonald who married Mackintosh and McNair. 

And the reason all of this is relevant is because these women brought needlecraft and embroidery out from the shadows and made it part of mainstream art. Prior to this movement needlecraft was thought of as something genteel ladies did to pass the time, it was not considered ‘art’.




 Needlecraft was the poor relation in the art world; it was low status art and could not compete with ‘proper art’ produced by male artists. Margaret and Frances MacDonald, and their fellow Glasgow Girls changed this, their work was clever, intricate and original, it made its mark on the art world. They paved the way for contemporary artists like Midge Gourlay. 
It’s no coincidence that Midge trained at the same college, Glasgow College of Art’, as the Glasgow Girls attended over 100 years ago. 


I think this is truly a case of ‘you reap what you sow’…………….Her work is so sought after and respected various Churches have commissioned her to produce spcial pieces for them.




Friday, 1 March 2013

Claire Wills




Art Sunday; Claire Wills,
Contemporary Scottish artist.
Most of her paintings plus more information about her can be found on her website, its well worth a visit.
http://www.clairewills.co.uk/index.html

Personally I’m very taken with her choice of colours, these paintnings remind me of the song ‘Lucy in the sky with diamonds’, within these paintings you find the ‘tangerine trees and marmalade skies’, and the ‘Cellophane flowers of yellow and green’. 
I think this lady must be the original ‘girl with the kaleidoscope eyes’.  It never ceases to amaze me how so many fine Scottish Artists manage to reproduce the landscape in these vibrant colours. To the untrained eye, Scotland and its landscapes can appear dull, gray and permanently overcast. This lady sees and reproduces the hidden colours of Scotland.

About Claire Wills
Claire graduated from the University of Humberside in 1996 with a degree in Fine Art after which she travelled extensively, gaining inspiration from a wide variety of different cultures and locations such as Tanzania, Budapest, Germany, Jamaica, Ireland, the Channel Islands, and also Cornwall and rural Herefordshire.


In her paintings Claire aims to create engaging contemporary interpretations of land and seascapes through abstract ideas of places or scenes, and she particularly enjoys making paintings of wide-open spaces, which give a feeling of calm isolation where ‘one can become lost in thought’.


Claire uses mixed media; layers of delicate papers are often used to create a surface with a variety of patterns and textures as a base on which to work.


Most recently Claire has been focusing on landscapes and seascapes, often inspired by the many pretty towns and villages of Scotland.



Sunday, 25 November 2012

Morag Muir Scottish artist.




Morag Muir is one of the most well known artists from around here. Every time I go to an exhibition or gallery there is at least one of her paintings on view. Her paintings are very different to other contemporary artists, they are instantly recognizable as hers and they are always full of small interesting objects.  
This work is not to every ones taste, despite the fact she is so popular and successful I have heard many people say they don’t like her work, claiming its too ‘fussy’ and even too ‘girly’’ ( what ever that means). The last time I was at the hospital I was drawn to one of the many paintings that hang on the corridor walls, I casually thought, ‘oh that looks very similar to one of Morags paintings’, and once up close I realized it was one of hers. 

When I say her paintings are every where, they really are. It has taken me a while to come around to her work, I used to go more for the figurative work or the Scottish seascapes but now I am really beginning to appreciate them. 

Maybe that’s because I can see how clever they are and how much work goes into each of her paintings. If you check out her web site, be sure to look at the model of the Bengal tiger she painted to raise funds, it’s quite special. .

This is her web site.



More Information from here

MORAG MUIR

Morag Muir was born in Glasgow in 1960. She studied at Duncan of Jordanstone College of Art in Dundee from 1978-83 under the likes of Alberto Morocco, Peter Collins and Dave McClure, winning the John Milne Purvis Prize and the Major Travelling Scholarship. She has taught at Duncan of Jordanstone, the Seagate Gallery/Printmakers Workshop, Dundee Contemporary Arts and throughout Fife. More recently she has concentrated solely on her own painting career. 

Her new acrylic on board paintings have been painted in her kitchen, which seems entirely appropriate as she takes inspiration from domestic interiors, family memorabilia, photographs, flowers and bric a brac. 

The luxurious veils of colour, flat planes and ambiguous space create something magical from everyday items. She has exhibited at numerous venues thoughout Scotland and the UK and the Castle Gallery is delighted to be able to show her work

More Information from here


Born in Glasgow, Morag was a graduate of Duncan of Jordanstone College, Dundee in 1982. Her still life canvases full of vivid hues echo Eastern iconography & ethnic Bric-a-brac. As much as anything Morag is driven by the sheer joy of painting.


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