Antonio Donghi (1897–1963) Italian Painter
Antonio
 Donghi (March 16, 1897 – July 16, 1963) was an Italian painter  of 
people, portraits, popular life, landscapes, and still life. He studied 
in Rome  at the Instituto di Belle Arti. 
 
 
After
 his military service during World War I he studied art in Florence and 
Venice, he became one of Italy's leading figures in the neoclassical 
movement that developed in the 1920s. 
 
 
His
 paintings are very much twentieth century paintings but with an evident
 tradition of Italian classicism. He developed an extremely refined 
technique. 
 
 
The
 strength of his work lies in the imposing composition and realism. His 
figures all seem to have a look of stoic resignation about them with 
just a hint of humour.  His still lifes tend to be simplistic with an 
almost perfect symmetry. 
 
 
Donghi
 achieved both popular and critical success, in 1927 he won First Prize 
in an International Exhibit at the Carnegie Institute in Pittsburgh.
By the 1940s, Donghi's work was far outside the mainstream of modernism, and his reputation declined although he continued to exhibit regularly. In his last years he concentrated mainly on landscapes, painted in a style that emphasizes linear patterns. He died in Rome in 1963.
Most of Donghi's works are in Italian collections, notably the Museo di Roma.
By the 1940s, Donghi's work was far outside the mainstream of modernism, and his reputation declined although he continued to exhibit regularly. In his last years he concentrated mainly on landscapes, painted in a style that emphasizes linear patterns. He died in Rome in 1963.
Most of Donghi's works are in Italian collections, notably the Museo di Roma.
 
 
I chose his figure paintings and portraits to show here just because I like their simplicity.
 
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greenwytch wrote on Jan 30, '11 
very clean lines and crisp colors.  neat stuff!  i had never heard of this artist before, either. | 
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kathyinozarks wrote on Jan 30, '11 
thank you for introducing a new artist to me | 
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brendainmad wrote on Jan 29, '11 
Me too, Loretta. Sometimes, paintings have too much going on in them. | 
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acousticeagle wrote on Jan 29, '11 
I
 really like this style of painting. There's a strong linear value 
combined with a pervading use of ochre. His art reminds me of other 
artists that have used similar techniques. There's a fresh honesty with 
this artist, confronting but demure at the same time.  | 
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forgetmenot525 wrote on Jan 29, '11 
veryfrank said  . If you hadn't stated that he was Italian, I would have immediately guessed Spanish from these paintings.  
Thanks
 Frank, That's interesting because to me they look Italian. To me the  
subjects have a Spanish feel to them but I thought I saw little bits  of
 the classical italian technique, funny how we all see things 
differently.  | 
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forgetmenot525 said  I chose his figure paintings and portraits to show here just because I like their simplicity.  
I
 agree with your choice.  If you hadn't stated that he was Italian, I 
would have immediately guessed Spanish from these paintings. | 

 
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