 
   
Sulamith Wülfing
Sorry folks, due to problems with the site etc, didn’t have time to do the write up myself so just copied this; 
From Wikipedia, the free encyclopedia
From Wikipedia, the free encyclopedia
Sulamith
 Wülfing (January 11, 1901 – 1989) was a German artist and illustrator. 
Her ethereal, enigmatic works depict fairy tales or mystical subjects.

As a child Sulamith had visions of angels, fairies, gnomes, and nature spirits. She first began drawing these creatures at the age of four. The visions continued throughout her life, and directly inspired her paintings.

Sulamith
 Wülfing graduated from the Art College in 1921, and in 1932 married 
Otto Schulze, a professor at the Art College. Together, they created the
 Sulamith Wülfing Verlag (publishing house).
 The
 mood of Wülfing's work ranges from serene to wistful to deeply 
melancholy. The subject is often mysterious, with narrative elements at 
whose meaning the observer can only guess -- exactly as the artist 
intended.
 The
 mood of Wülfing's work ranges from serene to wistful to deeply 
melancholy. The subject is often mysterious, with narrative elements at 
whose meaning the observer can only guess -- exactly as the artist 
intended.  Characteristic
 Wülfing paintings feature slender, fair-haired, fey young women with 
large eyes and sad or thoughtful faces, wearing elaborately patterned 
gowns or robes, and sometimes veils, snoods, wreaths, or jewelled 
crowns.
Characteristic
 Wülfing paintings feature slender, fair-haired, fey young women with 
large eyes and sad or thoughtful faces, wearing elaborately patterned 
gowns or robes, and sometimes veils, snoods, wreaths, or jewelled 
crowns.  These
 maidens are placed in outdoor settings of twilight woods and moonlit 
meadows, or in castle-like interiors with vaguely Gothic detail (stone 
arches, stained glass windows, carved throne like chairs).
These
 maidens are placed in outdoor settings of twilight woods and moonlit 
meadows, or in castle-like interiors with vaguely Gothic detail (stone 
arches, stained glass windows, carved throne like chairs).  Some of the patterns on the clothing and furniture resemble Celtic knotwork.
Some of the patterns on the clothing and furniture resemble Celtic knotwork. Brambles
 and thorns, moths and butterflies, feathers, leaves, and delicately 
rendered flowers add organic richness, texture and complexity to the 
images.
Brambles
 and thorns, moths and butterflies, feathers, leaves, and delicately 
rendered flowers add organic richness, texture and complexity to the 
images.  Many
 of the paintings have a "fairytale" feel, with grinning dwarves and 
gnomes, knights in armour, dragons, and the like. Some have a holiday 
focus, usually Christmas or Easter.
Many
 of the paintings have a "fairytale" feel, with grinning dwarves and 
gnomes, knights in armour, dragons, and the like. Some have a holiday 
focus, usually Christmas or Easter. 
During the artist's lifetime, over 200 of her works were published in the form of postcards by the Sulamith Wülfing Verlag. A large-format book with forty colour plates, The Fantastic Art of Sulamith Wulfing was edited by David Larkin (who also edited Faeries by Brian Froud and Alan Lee). Published in 1977, the book is now out of print.
 During
 the 1980s, a series of limited edition commemorative plates featuring 
Wülfing's art were issued. Wülfing also created a series of 
illustrations for Hans Christian Andersen's story "The Little Mermaid."
During
 the 1980s, a series of limited edition commemorative plates featuring 
Wülfing's art were issued. Wülfing also created a series of 
illustrations for Hans Christian Andersen's story "The Little Mermaid." The
 singer/songwriter Stevie Nicks has credited Sulamith Wülfing's art with
 providing the inspiration for many of her songs, as well as the cover 
of The Wild Heart (album), which was inspired by one of her paintings.
The
 singer/songwriter Stevie Nicks has credited Sulamith Wülfing's art with
 providing the inspiration for many of her songs, as well as the cover 
of The Wild Heart (album), which was inspired by one of her paintings.  A concert video screen displayed Sulamith Wülfing art images during Stevie's 2005 Gold Dust tour.
A concert video screen displayed Sulamith Wülfing art images during Stevie's 2005 Gold Dust tour. In
 1973 Pete Sinfield, former lyricist of progressive rock band King 
Crimson, used the painting Big Friend, on the front cover of his first 
solo album Still (album). The illustration reflects his interest in the 
balance between fragility and power, clarity and illusion.
In
 1973 Pete Sinfield, former lyricist of progressive rock band King 
Crimson, used the painting Big Friend, on the front cover of his first 
solo album Still (album). The illustration reflects his interest in the 
balance between fragility and power, clarity and illusion.
| 
acousticeagle wrote on Jun 20, '09 
The
 inspiration for the artist to produce these works reminds me of William
 Blake. The one with the butterfly is stunning. It truly is amazing when
 an artist can paint images purely from imagination, and with such 
subtlety at that. | 
| 
brendainmad wrote on Jun 20, '09 
These are all fascinating. I can see some of them hanging on the wall of a child's room. | 
| 
starfishred wrote on Jun 19, '09 
she was really god no very very good thanks for sharing loretta | 
| 
dianahopeless wrote on Jun 19, '09 
She was a wonderful artist. Love these examples of her work. TY for sharing and the introduction to yet another artist Loretta. | 

 
No comments:
Post a Comment