Friday 24 August 2012

Art, Phoebe Traquair






May 17, '08 6:40 PM
for everyone

Art Sunday, Do you want to know a secret??

Phoebe Traquair was a truly wonderful Scottish arts and crafts artist, she was multi talented but it is her mural work that I’m looking at today. I may be wrong but I believe her unique murals must be
'one of the best kept secrets of the Scottish Art world,'
not with in Scotland of course but so few people outside of Scotland seem to know who she was or how remarkable her work is.
THE MANSFIELD TRAQUAIR CENTRE; (click on picture to enlarge)


Phoebe Anna Traquair (1852-1936)
 Phoebe Anna Traquair's place in history is unique. She was the first important professional woman artist of modern Scotland.
To rank as such might be enough to ensure her fame, but Traquair was also a central figure within Scottish Arts and Crafts practice, working prolifically in such diverse fields as embroidery, enamelwork, leather book-cover tooling and, not least, manuscript illumination and mural decoration.
Inspired by a wide range of arts and cultures, she was driven by a quest for ideas and a passion for materials. She considered that the arts should collectively express and celebrate the spiritual depth and wholeness of life. She ignored traditional boundaries of ‘fine’ and ‘applied’ art, and was therefore refused even associate membership of the Royal Scottish Academy in 1900. Only in 1920 was she eventually elected an Honorary Academician.
Born Phoebe Anna Moss, near Dublin, she was inspired from childhood by ‘The Book of Kells’. Following marriage in 1873 to Scots palaeontologist Dr Ramsay Heatley Traquair (1840-1912), she moved with him to Edinburgh. She provided detailed illustrations for his research papers until his retirement in 1906 from the Museum of Science and Art (today the Royal Museum). Such detailed drawing of fossils prepared her for the closeness of manuscript work, but the latter gave new scope for the imagination.
Traquair exhibited her crafts internationally from 1893 and painted the interiors of no fewer than four Edinburgh buildings between 1885 and 1901, including the chapels of the Royal Hospital for Sick Children (1885-1886 and 1896-1898) and the Song School of St Mary’s Episcopal Cathedral (1888-1892). The best known is the vast former Catholic Apostolic Church (1893-1901) in East London Street which has been called ‘Edinburgh’s Sistine Chapel’ and was decorated in parallel with her manuscripts of the ‘Sonnets from the Portuguese’ and ‘The House of Life’.
Traquair’s reading of poetry and related work in manuscript illumination was initially inspired by her close friendship with John Miller Gray (1850-94), first curator of the Scottish National Portrait Gallery. Gray admired the poetry of Garth Wilkinson and Dante Gabriel Rossetti, encouraging Traquair to produce modern manuscripts of their work. In 1887 she wrote to the critic John Ruskin for advice, and received in return the loan of French manuscripts to copy and understand.
From 1890 Traquair leased dedicated studio space in the Dean Studio, a disused church (a gap site since the 1950s) next to Drumsheugh Swimming Baths in Lynedoch Place, where her major manuscripts, including ‘Sonnets from the Portuguese’ and ‘The House of Life’, were illuminated. Her first major multi-page manuscript was of Alfred Lord Tennyson’s ‘In Memoriam’ (1890-1892) for Sir Henry Hardinge Cunynghame. It was immediately followed by ‘Sonnets from the Portuguese’.
While working on her ‘Sonnets’, Traquair also illuminated Robert Browning’s ‘Saul’ (1893-1894), William Morris’s ‘Defence of Guinevere’ and ‘The Song of Solomon’ (both 1897). Her last great manuscripts were of Dante Gabriel Rossetti’s ‘The Blessed Damozel’ (1897-1898), Sir Thomas Browne’s ‘Religio Medici’, Rossetti’s ‘The House of Life’ and Dante’s ‘La Vita Nuova’ (1899-1902). Several of these manuscripts, including ‘Sonnets from the Portuguese’, were published on completion by William Hay of Edinburgh.
In the 1900s Traquair changed direction. She took up enamelling, to be set as jewellery and formal display pieces such as triptyches and caskets. From this time watercolour paintings for reproduction as commercial book illustrations replaced illumination.
















(click on picture to enlarge)About the Architect
 The Catholic Apostolic Church in Edinburgh was the first of a series of major commissions in the 1870s that were to transform Robert Rowand Anderson's career. The Catholic Apostolic Church was an important step in Anderson's career and it remained the most ambitious of his churches.
Anderson left the office of George Gilbert Scott in 1859 and set up his own practice in Edinburgh in 1860. During the 1860s his main work was small churches in the 'first pointed' style that is characteristic of Scott's former assistants. By 1880 (after the Catholic Apostolic Church) his practice was designing the most prestigious public and private buildings in Scotland: the University of Edinburgh Medical School and the McEwan Hall, The Scottish National Portrait Gallery, and Mount Stuart for the Marquess of Bute. These buildings demonstrate two notable qualities in Anderson's work: his ability to revive any of a variety of historical styles intelligently and his preference for massive, imposing forms.
THE MURAL IN THE SOUTH CHAPEL

And that my friends is my Art Sunday Secret, the secret of Phoebe Traquair's little known murals.

   


pestep55 wrote on Jan 17, '10
Amazing that her murals are not better known, beautiful /:-)

nemo4sun wrote on Jan 17, '10
nice to see the outside view of the church

i would love to see it some day

:)

greenwytch wrote on Jan 17, '10
i know she still smiles at us on Sundays. i still miss her, too. HUGS.

forgetmenot525 wrote on Jan 17, '10
Thanks Deb...............but like I said, this is a very old post but I thought maybe some would like to see it cos Nemo posted on her this week. Oh...............big sigh..............just seen that Lina commented on this when it was first posted...........Sighhhhhhhhhhhhhhhhhhhh

greenwytch wrote on Jan 17, '10
fantastic as always, loretta. you always find such amazing things to share with us.

philsgal7759 wrote on May 19, '08
beautiful work thanks

lauritasita wrote on May 18, '08
Very beautiful and educational presentation. Thank you also for visiting my Art Sunday post today.

brendainmad wrote on May 18, '08
I understand why the church would be called the 'Edinburgh Sistine Chapel' - these murals are fantastic

stillwandering wrote on May 18, '08
What a wonderful post! Thanks so much for posting. The colours and light are amazing, very beautiful.
http://stillwandering.multiply.com/journal/item/235/Art_Sunday

jayaramanms wrote on May 18, '08
I have posted another blog and photo album of paintings of Daeni Pino -under Art Sunday Links - for blog http://jayaramanms.multiply.com/journal/item/167 and painting album - http://tinyurl.com/5zaulk. Please have a look.

starfishred wrote on May 17, '08
Oh so much wonderful info thank you for the tour
ty for visitng my site to

wickedlyinnocent wrote on May 17, '08, edited on May 17, '08
Excellent post about a remarkable artist with an impressive work. Thanks for sharing Phoebe Traquair's "secrets" with us.
I see you are a nightowl, just like me, I slept for a few hours though, now I feel quite alert. Good night to you.

vickiecollins wrote on May 17, '08
Wow, Nemo, interesting choice. Isnt it bizarre how sometimes the people are the most profilic are the least well known outside an immediate circle, or in Phoebe Traquair's case, a particular country or region.

In addition to her contributions to her husbands work as a paleo.... she is indeed an artists worth knowing about.

ruraldiva wrote on May 17, '08
Ablosutely wonderful presentation. I hadn't known of her and am so impressed with her work. Thank you for this.

jayaramanms wrote on May 17, '08
Thank you for introducing a new artist - Phoebe Anna Traquair and the full details and exhibiting her paintings here. An excellent post. Thanks again for sharing.You have already visited my blog on secrets of Mona Lisa.

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